VISUAL NOISE
When I first redesigned my portfolio site, I imagined a space that functioned like a digital sketchbook—a living, breathing page inspired by the fluidity of Jack Kerouac’s scroll writing. I envisioned a single, continuous canvas that evolves as you scroll—where the top, middle, and bottom morph over time, never fixed, never finished.
Over the years, I’ve collected photographs of textures—quiet fragments of surfaces, light, and wear. I wanted to give them a home, a place where they could inspire new forms. This page is intentionally unpolished, loose in structure, and spontaneous in spirit. It holds design scraps, digital collages, short videos, motion experiments, and photography—pieces that don’t always belong elsewhere, but still speak.
It’s a space in progress. I’ll keep adding to it, letting it shift and grow organically—just like a sketchbook should.
Over the years, I’ve collected photographs of textures—quiet fragments of surfaces, light, and wear. I wanted to give them a home, a place where they could inspire new forms. This page is intentionally unpolished, loose in structure, and spontaneous in spirit. It holds design scraps, digital collages, short videos, motion experiments, and photography—pieces that don’t always belong elsewhere, but still speak.
It’s a space in progress. I’ll keep adding to it, letting it shift and grow organically—just like a sketchbook should.
